About the Show

Ben Elton's dystopian musical - including Queen's top hits - returns to the West End for a 12-week season.

Set in a globally corporate world 300 years in the future, the sinister Killer Queen, who has banned all non-computer-generated music, discovers a prophecy that musical instruments have been hidden on the planet and that ‘The Dreamer’ will emerge to find them. Meanwhile, a young maverick named Galileo is desperate to end the tyranny of this corporate world. He hears lyrics in his dreams and is heralded as ‘The Dreamer’ by the Bohemians who have been searching for the lost instruments. To fulfill the prophecy, Galileo must evade the clutches of the Killer Queen and finally bring music back to Earth.

Featuring 24 of Queen’s top hits, including 'Bohemian Rhapsody', 'We Are The Champions', 'Don’t Stop Me Now' and 'Radio Ga Ga', 'We Will Rock You' returns to London for the first time since the show completed its historic 11-year run at the Dominion Theatre in 2014.

Critic Reviews (8)

This is a disappointing revival of the cult musical, though We Will Rock You still manages to draw huge audience numbers who are delighted by the music and endless rock references
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“As much as I wanted to hate it, it was almost impossible to resist the show’s endearing charm. Yes – it’s a mess – but it does exactly what it sets out to do. There’s a purity in that – and punters will surely have a rocking great night.”
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This production includes a few too many creative components, I think they’ve done just about everything you can do on stage, apart from making it rain. They may have done this to detract from the (lack of a) plot – but ultimately, it causes further confusion and creates a convoluted production. Whilst not guaranteed to blow your mind, nothing beats hearing Queen’s music live, and the band perform this exceptionally.
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“To be fair, the projected visuals are techno-whizzy and the cast pretty fizzy [Ian McIntosh and Elena Skye]. On Tuesday’s opening night, Brian May rocked up like some deus ex machina for the finale of Bohemian Rhapsody, surging the theatrical power levels. If they could make a hologram of him, the show might yet attain a kinda magic; as it stands, it’s all a bit tragic.”
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“This insultingly slapdash musical by Ben Elton and Queen is possibly the most cynical piece of entertainment I’ve ever seen. The pomp-rockers’ impressive greatest hits are hammered willy-nilly into a nonsensical futuristic plot.”
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“Watching this production carried me back to the bleak night, long ago... Elton’s script is almost as slapdash, shoehorning songs into one scene after another”
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“It is moving when Brian May appears on stage to play his guitar to Bohemian Rhapsody at the end, too, but the journey here has been quite a trudge...In a preamble, Elton’s Rebel Leader talks of less than flattering reviews of the original production. In this critic’s view, it’s a case of going back to that future for iPlanet’s shaggy bohemians.”
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“Even as jukebox musicals go, this one is particularly shoddy and tasteless...Queen deserve to be remembered, they’re legends. But if it is a place onstage they’re after, they deserve more than this mess.”
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Trailer

Creative team