Tina — The Tina Turner Musical (West End)
Ends Oct 2025 2h 45m
Tina — The Tina Turner Musical (West End)
93%
93%
(1244 Ratings)
Positive
95%
Mixed
3%
Negative
2%
Members say
Entertaining, Great singing, Absorbing, Delightful, Great acting

About the Show

Olivier Award nominated musical which follows the life of 12-time Grammy Award winner Tina Turner. Read more Show less

Critic Reviews (14)

Time Out London
June 26th, 2022

Is a feelgood jukebox musical the absolute best medium to tell a story about domestic abuse? Put crudely, that is the problem at the heart of big-budget global premiere...Don’t get me wrong: it’s an entertaining night, brilliantly performed.
Read more

The London Evening Standard
June 26th, 2022

What a pity, then, that this musical never fully sparks into life...Yet the material surprisingly lacks rigour, too often staying in soft-focus when a more forensic examination is required...
Read more

The Stage (UK)
June 26th, 2022

Despite the show’s creative pedigree, with Mamma Mia! director Phyllida Lloyd at the helm and a book by The Mountain-top writer Katori Hall, nothing about the production is particularly interesting or innovative. It’s a standard bio-musical...
Read more

The Telegraph (UK)
April 18th, 2018
For a previous production

Born in the USA, made in England. That’s the thesis of this slickly choreographed, beautifully designed and roof-raisingly well-sung bio-musical about Tina Turner...
Read more

The Guardian (UK)
April 17th, 2018
For a previous production

Phyllida Lloyd’s musical is a heady celebration of triumph over adversity...As bio-musicals go, this is as good as it gets.
Read more

The Independent (UK)
April 18th, 2018
For a previous production

Katori Hall's book is too brisk...Even folk who are inclined to be sniffy about jukebox musicals will be overwhelmed by this one. It has everything going for it.
Read more

The Times (UK)
April 18th, 2018
For a previous production

Simply the best way to tell the story of Tina Turner...I thought I knew Tina’s story but, after she leaves Ike, it gets even more interesting. This musical tells it like it is.
Read more

Financial Times (UK)
April 18th, 2018
For a previous production

"The better pop/rock biomusicals all have substantial narratives; those without are merely concerts performed by impersonators...I’ve never seen a more one-sided portrait in a show like this. Lloyd, too, moves the action along and intercuts it fluidly, but spends the final phase of the show assiduously building up to a nakedly adulatory climax and concert-style encore."
Read more