The Seagull (London)
Closed 2h 30m
The Seagull (London)
64%
64%
(74 Ratings)
Positive
53%
Mixed
27%
Negative
20%
Members say
Great acting, Clever, Absorbing, Slow, Ambitious

About the Show

Chekhov drama starring Emilia Clarke (Game of Thrones) in her West End debut.

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Critic Reviews (10)

The Telegraph (UK)
July 7th, 2022

"In so far as they go, constrained by a directorial conceit so sparing it’s distractingly ostentatious, I can’t fault the cast, but they yield little that couldn’t be obtained in more traditional, pleasure-giving Chekhov."
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WhatsOnStage
July 8th, 2022

"Its stripped back staging and threadbare aesthetic are a carefully calculated choice to amplify the profundity and tenacity of Anya Reiss' feisty, contemporary translation... the phenomenal acting performances of this universally brilliant company are what endures."
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The Independent (UK)
July 8th, 2022

"The staging is determinedly spare – just plastic chairs, chipboard walls. The actors are mic-ed up and barefoot, wearing comfy, floaty clothes. ... But where that show swaggered, using spoken word to bring electricity to the source material, this one feels too static – almost like a radio play."
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London Theatre
July 9th, 2022

"We see Chekhov’s famed story and theatrical structures as a reflection of our current world, one that is divided and plagued with class divisions and sorrow and anxiety. Though even with the everpresent 'mourning,' there’s a surprising amount of laughter. Reiss’s telling hits the human spirit with great exactitude. Much of the observations feel like they were plucked from today’s ruminations."
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Theatre Weekly (UK)
July 8th, 2022

“While many people, most likely, will want to see The Seagull because of the star power of Emilia Clarke, is it actually her Game of Thrones co-star Indira Varma that steals the spotlight? Arkadina under the careful handling of Varma is a particularly vibrant character”
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Time Out London
July 8th, 2022

"If you’re open to a show that makes noise quietly and thinks deeply, this ‘Seagull’ really flies."
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The London Evening Standard
July 8th, 2022

"There’s something jarring about watching an actor deliver a bravura performance surrounded by the bored faces of their fellow cast members: it’s a poignant reminder that even the most moving work of art will leave some people cold."
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The Times (UK)
July 8th, 2022

"Emilia Clarke ... turns in a perfectly fine performance as the elfin young woman bewitched by the idea of making a career on the stage ... The piece as a whole, though, proves as overwrought as Konstantin’s aborted play."
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