The Crown Jewels (West End)
Closed 2h 0m
The Crown Jewels (West End)
70%
70%
(122 Ratings)
Positive
61%
Mixed
21%
Negative
18%
Members say
Entertaining, Funny, Delightful, Clever, Hilarious

About the Show

Al Murray, Carrie Hope Fletcher & Mel Giedroyc star in this new royal comedy caper.

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Critic Reviews (13)

The Telegraph (UK)
July 28th, 2023

"That it works as well as it does at times is no mean feat, but, lacking a strong raison d’etre besides giving us a nibble of history and a few baubles of mirth, this interloper’s reign looks set to be short-lived and immemorable."
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The Independent (UK)
July 28th, 2023

“It’s telling that the funniest moments in the show come when Murray and Giedroyc are allowed to just improvise.No script could dull their sparkle, even when ’The Crown Jewels’ elsewhere struggles to shine.”
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West End Best Friend
August 2nd, 2023

“ ‘The Crown Jewels’ often feels like a pantomime for grown-ups...it is hard to envisage what the future could be for ‘The Crown Jewels’ as the writing is so specific to its cast. This silly, smutty and star-studded comedy is certainly a fun and flirty night at the theatre.”
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Lost in Theatreland (UK)
July 30th, 2023

With a star-studded cast, and some performers multi-roling throughout, it has the potential to be a great show – but isn’t polished enough to sparkle like the aforementioned jewels. The main issue with the production is the script. The plot feels forgotten about at times, there is a lack of wittiness, and jokes are sometimes crass and crude, but in an entirely predictable way – the humour, unfortunately, feels tired very quickly.
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Theatre Weekly (UK)
July 31st, 2023

“the two hour running time (including interval) has about twenty minutes of story. The rest of this ‘heist’ is an excruciatingly unfunny exercise in making the audience feel slightly less resentful at having paid money for an experience akin to being tortured in the Tower of London”
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The London Evening Standard
July 28th, 2023

“Murray and Giedroyc’s performances are funny because they are funny people. But those performances are not in service to any wider purpose, because there isn’t one here.”
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The Stage (UK)
July 28th, 2023

“Nye is attempting, it seems, to write a Restoration comedy, its language and humour accurate to the time. But Foley directs it like a contemporary farce. The two approaches are worlds apart, and the humour gets lost in the middle.”
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The Times (UK)
July 28th, 2023

“What a mess. The stately music of Purcell pours from speakers before the curtain rises but decorum goes out of the window once Simon Nye’s woeful attempt at rekindling the spirit of Restoration comedy starts.”
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