But the times the show actually ignites with real passion and power is during the rousing upbeat songs...The cast is energetically led by Christie Prades as a fiery Gloria and a tall, handsome George Ioannides as a suitably dreamy Emilio.
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But incongruously residing at the home of the English National Opera, with the cast bopping and twisting up on stage at a safe remove, it’s toe-curling even before we get to the first-half climax and an attempted mass conga in the stalls.
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Christie Prades is superb as the Cuban-American singer in a rags-to-riches story charged with sociopolitical significance.
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It's a shame ‘On Your Feet!’ isn’t always this exhilarating, but it captures enough of Gloria and Emilio’s warmth and resilience to make you forgive the flaws.
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This is a script of epic dullness, by which one is usually bored and occasionally bewildered, as births, marriages and deaths all happen without any explanation.
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Kinky Boots director Jerry Mitchell and book writer Alexander Dinelaris do a very decent job with this bio-musical, charting the Estefans’ lives...But there’s something a bit skewed about the pacing of Dinelaris’ book.
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If the overall effect is oddly pedestrian, the details are good... The megamix finale got the crowd on its feet, but I remained in my seat.
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...the best moment of the evening is the encore medley of hits, when the show throws off the shackles of traditional narrative and instead lets the whole ensemble cut loose, interact with the band, and invite the audience to join in.
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