Timbers is not afraid to use every tool in his directing arsenal with this self-aware, but not self-conscious, amalgamation of vintage and modern, classic and contemporary. Every creative team member is clearly working overtime to deliver excellence and opulence.
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Moulin Rouge! is determinedly set on entertaining its audience; and if that intention can lend itself to a blandness in its slower moments, and a smoothness around some of its edges, then there’s almost always a diamond of a number around the corner.
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...director Alex Timbers’s dementedly maximalist ‘remix’ of Baz Luhrmann’s smash 2001 film is pure sensory overload...for all its tongue-in-cheek chutzpah, when the music stops you’re not left with much.
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The whole experience is awash with sure-footed dance: sensuous, fleet and duly delivering those signature can-can moves in a riot of petticoat lifting and high-kicking. Yet there’s little disguising the slender narrative arc...
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Alex Timbers’ production excels when it seduces the eye, not the mind or the heart: Derek McLane’s sets and Catherine Zuber’s costumes are essays in polychromatic fabulousness.
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From the second you enter you know what to expect: a musical with a heart of gold that seeks to entertain and overwhelm in equal measure. It is so over the top, it's irresistible.
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It’s a shell of a show, all noise and no signal, instantly crumbling into its own lack of substance.
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Calling this show a mash-up is an understatement: it’s more like pouring a few hundredweight of melodies into a cement mixer lorry and adding several tons of rhinestones.
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