"Warchus’ peerless production...is spectacularly staged. It feels both intimate and larger-than-life as we see the world through the unique prism of the older-than-her-years Matilda, a voracious reader and loner who is neglected by her parents...The expertly drilled cast of youngsters playing Matilda’s friends are playful and bring an infectious sense of fun and jeopardy to a show that is full of both qualities."
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"Writer Dennis Kelly and composer and lyricist Tim Minchin go to the top of the class with this anarchically joyous, gleefully nasty and ingenious musical adaptation...It captures all the original's delicious nastiness...but it also celebrates the solace of books and the transforming powers of the imagination...The production has a razor-sharp tongue-in-cheek edge...Seldom has the inner rage of the hurt and powerless child been so effectively dramatised."
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"At the heart of this satisfyingly fresh adaptation of a cherished Roald Dahl story are Australian comedian Tim Minchin's music and lyrics, which ooze humour without veering towards smugness...This is true family entertainment. Children will enjoy its blissful mix of fantasy and irreverence and adults will savour it for these same reasons as well as a host of different ones. This generous, big-hearted piece is already being spoken of as one of the best new British musicals in years."
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"The creative team behind this RSC musical (first seen in Stratford last year) pitches the tone beautifully. They catch Dahl’s peppery, mischievous, dark imagination and tell his story of the gifted Matilda, her ghastly parents and her wicked headmistress with real zest. They create a show that appeals to children with its monsters and mess, and to adults with its message that reading is cool...On transfer, it has become overly shrill in places...But it’s still dark, daring and a lot of fun."
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"It is the best new British musical since 'Billy Elliot'...Dennis Kelly, who has adapted Roald Dahl’s famous story for the stage, has previously been responsible for some of the most violent and depressing plays I have ever endured. Here, in a spectacular transformation, he has discovered joy, humour and tenderness, and his script actually improves and deepens Dahl’s original...Matthew Warchus’s thrilling, warm-hearted production...constantly combines comedy with a sense of wonder."
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So, I would not go quite as far as my neighbour in describing it as 'brilliant', but Matilda the Musical is nevertheless hugely enjoyable and cracking Christmas fun.
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How they get such performances from such youngsters is the RSC’s own miracle. Mind you, they’ve got form on their side: Les Misérables anyone? Matilda might just have similar legs.
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"Tim Minchin and Dennis Kelly's reimagining of Matilda is a mere seven or so years old but is firmly established as a classic British musical in its own right, and upon witnessing a thunderous reception for this knockout touring cast of grown-ups and children, it's easy to see why...Powerful, funny and beautifully musical, it reminds us who we are, and who we might be. It would also appear from the smiles of every theatregoer leaving the building, we are more or less the same."
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