This is a powerful, important new play from one of our greatest living playwrights that, should it prove to be his swansong, means he has gone out on a significant high, even as he dramatises a low point on world history.
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Tom Stoppard’s shiveringly sensual journey through the terrible 20th century is a masterpiece.
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Stoppard at once personal and accessible...Director Patrick Marber knits Tom Stoppard's putative swan song into a compelling whole
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Ultimately, ‘Leopoldstadt’ is a powerful and sincere tribute to a vanished people. Hopefully they can live on for a little longer thanks to the last great play of the last great writer of the twentieth century.
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People have sometimes accused him of being too clever by half, lacking the power to move us beyond words; here is irrefutable evidence to the contrary.
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Tom Stoppard's new masterwork is an early contender for play of the year.
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It's an evening that leaves many people in tears. It left me profoundly moved but also full of thought and understanding. If it is Stoppard's last play, as he seems to imply, it is a very fine testament to all he has given and all he has learnt.
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Leopoldstadt is a sprawling, noble tribute to families such as the Strausslers. You sense that, in addition to Stoppard acknowledging his Jewishness, there is an element of this intellectual and wordy playwright coming to terms with the dramatic power of emotional storytelling.
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