& Juliet is a show that should not work in theory, it should come off as twee and inauthentic yet somehow it completely works. Told through the medium of a modern pop song that results in a tour de force of pop culture, feminism and Shakespearian in-jokes that has something for everyone to adore.
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The plot is fun provided you refuse to take any of what happens seriously. It’s basically ‘Romeo & Juliet’ rewritten into a sort of woke panto.
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...likeable and sometimes spectacular production...The company is led by the extraordinary Miriam-Teak Lee in the title role of Juliet, who brings a sizzling presence, incredible vocals and moves to turn her into a force of nature.
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...You won't find many better nights out in the West End – if music be the food of love, then & Juliet serves up an all-you-can-eat buffet of the highest standard.
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I didn’t expect that all of this would be a bedazzled Trojan Horse. The show does a good job of empowering Juliet, but as it turns out, it is actually Anne Hathaway whose journey we have been watching all along.
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A fun, feminist makeover of Romeo and Juliet chooses life – with a great pop soundtrack.
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While this show isn’t in the same league as Mamma Mia! by fellow Swedes Abba, those with a willing ear for his brand of shiny pop should enjoy hearing his bangers rendered at high volume and landing with a swaggering, truant disposition.
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The plot and message of female empowerment are pretty thin but this jukebox musical is an absolute blast and features a powerful turn from Miriam-Teak Lee.
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