" 'Good' has been heading towards one conclusion, the same one the real-life historical events did. But the realities of history don’t always make for great drama."
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"In a hypnotic performance, [Tennant] ... keeps us in suspense, giving conspiratorial flashes and darkening into malevolence, but, in the main, eerily neutral and preoccupied ... Less commendable are the Cabaret-style ticket-prices at the top end: £155 for the seat I was sitting in? It was good, but not that good."
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"Although grimly funny and studiously banal at times, it progresses inexorably...This is an important rather than an enjoyable watch."
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"It's a chilling performance rather than a moving one...Good isn't perfect, but its lessons demand to be understood."
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"It’s a strong framing, and there are striking, resonant messages within this work, but as drama it unsettles when really it should devastate."
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"Don’t expect fireworks. What you get is something stranger, more insidious, and I suspect much more memorable."
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" 'Good' is a gradually enraging drama that makes us hear afresh the denials that lead populism into dangerous waters, and may well be a lesson for our times."
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"...the play’s pertinence, in our age of populism, scapegoating and sloganeering, remains sharp. It’s a grim nightmare of quietly lethal potency."
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