"Mark Rylance is astonishing – again – in this unsettling, atmospheric drama about the downfall of a pioneering doctor"
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"Playing a maverick doctor who discovers a ground-breaking cure, the star embodies crusading eccentricity – and dangerous monomania... [this play places] resonant emphasis on the dangers of group-think and the way medical hierarchies can crush whistleblowers. "
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“He [Rylance] makes Semmelweis hard to like. But he also lets you see inside his head, showing the thrill of being part of a new way of thinking, indicating the panic as he half realises his mind is becoming disturbed. It’s an extraordinarily subtle and emotional performance.”
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“The ending is rushed and clumsy but it doesn’t matter. One of our finest, alchemically instinctive actors is back where he belongs: onstage.”
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“Everything about the production seems designed to make you feel like you’ve had an exhilarating night at the theatre, while not wholly delivering it. It’s the trappings without the substance; many hands, making effortful work.”
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“There is humour here as well as physical theatre, music, anger, sadness, emotional nuance.”
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“This stirring tragedy gives a voice to the voiceless: not just the unfairly treated Semmelweis, but the women whose pain was ignored, and whose deaths were dismissed as routine.”
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"Mark Rylance gives a fascinating, febrile performance in this unwieldy but absorbing historical drama."
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