Similarly, Marianne Elliott’s meticulous, eloquently stylised revival features a cast whose star appeal is matched by their impressive stage credentials.
Read more

Performed with no props, and with many gestures (such as the removal of clothes) implied rather than carried out, ‘Cock’ is funny and playful but with a stark psychological intensity through its minimalism.
Read more

First performed in 2009, Mike Bartlett’s comedy might have seemed edgy then but today it echoes and affirms notions around the slipperiness of sexual labelling.
Read more

Terrific at conveying hurt, yearning and simmering self-doubt, Egerton now stars in Marianne Elliott’s revival of Mike Bartlett’s 2009 play Cock, a piece smartly and tragicomically about ongoing confusions of sexuality, the suffocating restrictions of categorisation and the agonies of the heart.
Read more

The scene where John and W make love, all the while standing on opposite sides of a revolve, like horny, socially distanced citizens, raised a smile. Otherwise, this was an hour and 45 minutes of tedium.
Read more

It's a play that's easier to admire than to love, but nonetheless a challenging, fascinating contest to witness.
Read more

You can easily forgive the lack of thematic development when Bailey, Egerton and Anouka ignite the emotional fuel of the story — they really rock.
Read more

Despite the best efforts of the cast, the characters always feel primarily like sexual chess pieces engaged in a game in which there can be only one victor.
Read more