This is a magnificent, searing account of Pinter's most autobiographically charged play ... and it brings Lloyd's classy season of Pinter at the Pinter to an end with a fine flourish.
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Yet the revelation of this excellent production is its reminder that betrayal is never-ending and that the one deceived forever haunts the imagination.
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The coolness of it all means that some of the play’s emotional potency is diluted, but it’s always gripping – and superbly performed, particularly by Hiddleston.
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Crowning his superlative six-month Pinter season at this address, Jamie Lloyd directs an exceptionally thoughtful and searching revival of this time-reverse play.
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This sparse, elegant production closes Lloyd’s revelatory and handsomely cast season of Pinter’s shorter pieces in the theatre that bears the playwright’s name.
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Jamie Lloyd directs this final offering in what has been a triumphant season of Pinter’s plays and the production oozes confidence and style.
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...there have to be very few people alive – or indeed dead – who understand Pinter in the way Lloyd does, and it shows here.
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Funny, sharp, oddly nasty, and memorably anguished, Lloyd’s Betrayal is fully faithful to a theatrical landmark.
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