An absolutely electrifying show that induces child-like wonder at the state-of-the-art special effects. With endearing characters, charming music, and nostalgia-inducing jokes of bygone decades, Back to the Future's Olivier award for Best New Musical is extremely well-deserved.
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Again, your enjoyment is going to depend on how up you are for ‘Back to the Future’ cranked to the absolute max for virtually the whole night. Where this musical is going, you don’t need roads. But you might need a good lie down.
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It’s a feelgood triumph. Is it the most sophisticated musical around? No, but it’s a no less exhilarating all-American entertainment drive-thru than Hamilton.
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Back to the Future is a Russian Doll of nostalgic comforts: through its time-travelling antics, it revels both in a rose-coloured American Fifties and in the vitality of the Eighties.
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It's undoubtedly an evening that sends you back to your own future with a smile on your face, a perfect night out for nostalgics and car-loving kids of all ages.
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This musical adaptation of Robert Zemeckis’s hit 1985 time-travel movie is enormous fun. Loyal to the story and the larky spirit of the original, it’s been deftly expanded by Zemeckis’s co-writer Bob Gale into a standalone stage work.
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...dashes of Secret Cinema and theme-park ride thrown into the mix. If this spectacle is the future of West End shows, sign me up. There’s just the small problem of everything else.
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I suspect that if you’re a hardcore fan who knows every line of the film script you’re going to buy a ticket anyway. Others should beware...Yet even though the film’s co-creator, Bob Gale, is credited for the show’s book, John Rando’s West End production is middling at best.
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