“The story of the Cleveland Street scandal is compelling enough that telling the story in a simple way would have been more than enough, but Fritz’s approach with ‘The Flea’, while drawn out in places, works because it allows us to look at things from different angles, and not just because of Naomi Kuyck-Cohen’s set of misshapen furniture.”
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“It’s all about management of pathos, a slower impulse, to which the play tips strongly towards the end. There is so much potential here, if only the cast can allow themselves to expand into the full shape of it.”
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“There’s good stuff to be found for sure, but rather like a Victorian novel, this play presents as a sprawl when it should be presenting a scalpel.”
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“Playing fast and loose with history, Fritz tells a wildly entertaining tale that also lands some serious points about institutional corruption, abuse and impossible choices.”
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“Flawed as ‘The Flea’ is, it’s refreshing to encounter a new play so ambitious, imaginative, and unashamedly unfettered by convention.”
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“Fritz’s satire is a tragedy waiting to explode...This play is never even close to boring – what a riotous, quirky ride it is.”
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