"Featuring a stellar cast, razor-sharp and intricately crafted writing, and the expert direction of Jeremy Herrin, 'Ulster American' demands your attention. It’s an uncomfortable masterpiece that refuses to let you look away."
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"I’m still of the opinion that the character revelations are often gerrymandered for effect: quite a few of the twists across Jeremy Herrin’s pacey, interval-free production have to be taken on faith. But if you’re going to brave the gruesome funfair into which Ireland and co. plunge an audience head-first, you could hardly be in better hands."
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"Ireland aims to offend, and I was somewhat offended, job done (I did enjoy the jokes about how much they all hate theatre critics). I suppose that’s how you stay a cult artist. Plus, it you’re going to be subjected to wearying gags about sexual assault, it might as well be from that nice Woody Harrelson!"
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“...aside from a denouement that achieves that rare thing, shock-value, the evening offers the unmistakable pleasure that an actor of Harrelson’s stature has bothered to come over, and throw himself into a gleeful portrait of a visiting Yank as the grisly epitome of preening, mansplaining insufferability.”
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“Woody Harrelson sends himself up mercilessly in this purposely offensive theatre-world farce from 2018, which continues writer David Ireland’s mission to shock audiences out of complacency.”
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"The character development becomes hamstrung by the play’s limitations, with all three apoplectically overacting by the end. But the performances far outshine the play and are reason enough to see this imperfect, anarchic production."
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“Powerful, thought-provoking. Gritty, raw, and unashamedly real, the ability it has to make you cry with laughter one moment and make your blood boil with rage the next showcase the phenomenal nature of the writing, made even better by inspired direction and what may well be the best cast you see in a play this year. ‘Ulster American’ demands your attention and with a show as flawless as this, there is no way it is not going to get it.”
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“Walking a line between slapstick scrambling and visceral violence, the bloody sequence encapsulates the play’s tension between grotesque comedy and cruelty, as the characters finally abandon all civility and tear into each other with animalistic ferocity.”
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