[The Invisible Hand is] the sort of juicy, thorny, knotty one-room play that gets the blood pumping – remarkable given that extended passages just see two men argue while looking at a laptop screen.
Read more

[The Invisible Hand] really is edge-of-your-seat theatre that had me pondering the maxim ‘power corrupts and absolute power corrupts absolutely’.
Read more

Reviving her 2016 production, Indhu Rubasingham excels in her directorial signatures of pacy staging combined with clarity of narrative and characterisation.
Read more

All four are strong, but Karim (the lone newcomer to the cast) takes the production to new heights. His bombastic Bashir is likeable to the end – which makes him a great foil for Nick, who just doesn’t tug on the heartstrings in the same way.
Read more

Indhu Rubasingham’s stage is smoky and claustrophobic, the combination of silence and explosions of sound, darkness and blinding white light all creating a visceral experience.
Read more

Ayad Akhtar’s claustrophobic four-man thriller has made a winning return, five years after it was first staged here.
Read more