“ ‘Tambo & Bones’ is not an anti-white play: the third act actually features an extremely amusing gag about the fact the audience is liable to be mostly white; the fact this will be turned on its head at the blackout performance is just another sign of the play’s drolly meta brilliance.”
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“The success of this play, though, lies in our investment in, and empathy with, Tambo and Bones. Their anger, confusion and conflict with each other drives the narrative, and Stone and Ward engage with their audience, blurring reality and fiction in a way that is as entertaining as it is unnerving.”
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" Stone and Ward are superb, and Harris is making us think. In these overwrought, sloganeering times, a little more thinking is just what we need."
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“Unique, challenging and oh-so necessary, it is a moment that will stay with you long after the play’s close.”
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“There’s no curtain call and a standing ovation is enacted to an empty stage – hopefully the performers can experience the appreciation from the wings.”
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“While this subversive production may not be to everyone’s taste, Harris has surely fulfilled his aim: to create a play ‘you’ve never seen on stage before’.”
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