The greatest benefit of this new staging is the way it allows Nick Winston’s vibrant choreography to shine...There is a stand-out performance from Ian Carlyle as the Leading Player. His smooth, beguiling presence guides the show.
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Characters come and go, politics rears its head and then disappears and there’s even a singalong session for everyone suffering withdrawal after panto season got locked down...Pippin offers plenty to enjoy even today.
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Never mind the tinted glasses, groovy gear and early Seventies rock harmonics: Pippin is a period piece that still has some bite.
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