"Bourne’s robust choreography, while referencing the classics like mad, relies more on dramatic exposition than historic stylistic imperatives, and isn’t always pegged to the grandeur of Tchaikovsky’s music."
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"Strange as it sounds, you don’t really go to a Bourne show for the dancing...It’s about playing to the gods, rather than the nuances of inner lives."
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"The way Bourne forces pieces of plot together doesn’t feel gorgeously inevitable, and this show can’t offer the emotional wallop of his best work, despite the sumptuous and ingenious ride."
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"The dancing and the melodrama reach hysteria pitch. A real shame: Bourne and his company of excellent dancers can do better than this."
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