Metcalf is particularly good at capturing the ... dynamic between a young woman with lots to lose and an older man with everything to gain ... But when the action moves into the bedroom, everything unsaid is suddenly spoken and mystery [is] replaced with incredulity.
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The vague implausibility of the set-up ... is glossed over by the expertise and energy of the performances. Haydon's production verges on technically flawless, yet ... Metcalf's script ultimately collapses under the weight of its own ambitions.
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Despite the familiarity of the subject, Metcalf’s writing is clever enough to avoid being predictable. [Coomer & Marquez's] duet makes for a gripping 90 minutes.
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