About the Show

A new war-time comedy about Pilot Officer Jack Absolute lands at the National Theatre.

Set during the 1940s, Jack (Laurie Davidson) returns home from his duties as a pilot officer to reunite with his old sweetheart Lydia (Natalie Simpson). But winning back the affections of the young heiress is not as simple as Jack had hoped. Written by Richard Bean ("One Man, Two Guvnors") and Oliver Chris ("Twelfth Night") and based on Richard Brinsley Sheridan’s 1775 play The Rivals.

Critic Reviews (10)

"For the most part 'Jack Absolute Flies Again' is content to deal in comfortable nostalgia of the barrel-rolled hair and bomber-jacket variety, familiar wartime tropes given a sitcom sheen. It’s always relatively entertaining, often very funny indeed, but its frothiness becomes tiresome after a while and it’s more celebratory than interrogative of the time it’s portraying."
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"It’s funny. It’s fine. We all need a chuckle at the moment. But ‘Jack Absolute Flies Again’ isn’t anything more than the sum of its laughs. "
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"The script has a self-consciously Boy’s Own ‘whizzo’ feel and drips with arch knowingness and nods to its own theatricality, which is amusing enough but prevents us from caring much about what happens to anyone."
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"This knowing mix of satire, filth, clowning, pastiche, wartime derring-do and romance absolutely hit my sweet spot. It won’t be to everyone’s taste, but not even the hardest heart could entirely resist its machine-gun barrage of humour."
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"There isn’t room to summarise all the complications of the plot. Suffice to say that Quentin delivers her fruity double entendres with aplomb, and even gets a chance to reveal her talent as a vaudevillean."
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"This is the second consecutive show at the National to glance nostalgically back at a bygone Britain and present a sentimentalised picture. For me, at almost three hours on its final preview night, this comedy felt forced, unoriginal and drawn out."
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"Mark Thompson’s design illustrates the production’s sweet spot: a technicolour combination of comic book and live action, Englishness as an aesthetic and a myth. 'Jack Absolute' is more content to cuddle up to that myth than to seriously challenge it, but as pure summer fizz, it goes down a treat."
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"If the play is guilty of trying too hard, and is a tad one-dimensional, it’s also fair to say that once it breaks through the clouds and we’ve taken our seat belts off, 'Jack Absolute Flies Again' does settle into a veritable hoot."
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Trailer

Creative team