George Takei's Allegiance
Closed 2h 20m
George Takei's Allegiance
84%
84%
(76 Ratings)
Positive
87%
Mixed
9%
Negative
4%
Members say
Absorbing, Entertaining, Thought-provoking, Great singing, Delightful

About the Show

George Takei stars alongside Broadway's Telly Leung in this new war-time musical.

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Critic Reviews (10)

Theatre Weekly (UK)
January 17th, 2023

“George Takei’s Allegiance is a thing of beauty; a startlingly honest story that still manages to offer a vision of hope. Audiences will go for George Takei, but they’ll leave moved, uplifted, and most importantly, entertained.”
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Shy Strange Manic
February 28th, 2023

Allegiance brings to light the history of Japanese-Americans living in the USA during World War II. The musical is at its strongest when it uses the medium to present the horrific realities these people were put in.
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The Times (UK)
January 18th, 2023

“There is a lot of history to get through and the production does so briskly and adroitly in two acts, while also giving us a pair of parallel love stories because this is entertainment, not a history lesson.”
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The Telegraph (UK)
January 18th, 2023

"Inspired by his bitter wartime experience of Japanese-American camps, this musical sees the star shine yet has a crucial piece missing."
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The London Evening Standard
January 18th, 2023

“Whatever the production’s failings, it’s great to see Takei’s grin at the curtain call...This show exists and throws light on a slice of neglected history thanks to him. Which is fair enough.”
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The Stage (UK)
January 18th, 2023

“The book by Marc Acito, Jay Kuo and Lorenzo Thione fleshes out an engaging and often unexpectedly witty story that incorporates universal themes of generational conflict, loyalty and love.”
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The Guardian (UK)
January 18th, 2023

“...it feels long at almost two and a half hours but its scenes move too fast and breezily, telegraphing the camp’s horror but also containing heavy helpings of schmaltz.”
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The Arts Desk
January 20th, 2023

“The book is credited to Marc Acito, Jay Kuo and Lorenzo Thione and it’s not without its flat spots, but director and choreographer, Tara Overfield Wilkinson, sustains the pace and moves her cast round the traverse stage so as to keep eyelines clear and lighting unobtrusive. ”
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