It’s Evita, Jim, but not as we know it… From smoke flares to spray cans to buckets of white and sky blue paint, Lloyd’s motifs are omnipresent and dominant in this production and some land better than others.'
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Smashing. That’s the word for this pared-down, muscular, expressive and explosive revival...In a slip dress and trainers, street chick Evita is beating heart of tango-tastic show.'
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Argentina's queen of hearts as a high-school mean girl...Andrew Lloyd Webber’s epic gets a rock-concert revival that features pom-poms and twerking but lacks central chemistry.'
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A revelatory staging... Everything is playful, responsive to the gear-shifting nature of the score, which can go from rock to tango in 10 seconds, yet every skittish touch has the weight of an idea.'
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The music is immaculately played...In the end, if we never really get to know Evita, that is more the fault of a work that is more interested in creating arresting tableaux than three-dimensional drama.'
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...radical staging at the Open Air Theatre strips away all the glamour and passion that characterised Hal Prince's original version...Over and over again, this is a production that surprises.'
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A diva dictator for 2019...The ensemble is an expressive force throughout...Both literal and figurative fireworks in Jamie Lloyd's innovative musical revival.'
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...the honey-voiced Samantha Pauly is an Evita for the social media age: very modern, thoroughly calculating and scarily precocious...Pauly gives a performance of considerable bravery...'
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