"The play, stretching out to well over two hours including an interval, takes us into the complexities of political manoeuvering, brittle alliances forming and fading as interests shift, family relationships falter and religion and nationalism bounce off each other."
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"This is probably the only chance you’ll ever get to see a production of ‘Dmitry’, and at the very least it’s a cracking story, entertainingly told."
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"Not to worry, theatregoer. This new adaptation by Peter Oswald may start out befuddling, but it ends up bewitching."
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"The production is better taken on its own, knotty terms, as a tale of toxic nationalism."
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Dmitry was indeed a bold choice for this new theatre, but in the main it is one that has paid off. This is a powerfully relevant story that has been spectacularly told.
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"It's always a pleasure to welcome a new theatre to the fold...But, topical as it may be, this opening production fails to deliver a suitably celebratory inauguration."
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"There is certainly something Shakespearean in the panoramic shuttle between factions, and the way scenes of public assertion are slashed by moments of intense private doubt, shared with the audience alone."
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