Dixon and Daughters
Dixon and Daughters
78%
78%
(13 Ratings)
Positive
77%
Mixed
15%
Negative
8%
Members say
Absorbing, Great acting, Thought-provoking, Intense, Great writing

About the Show

Deborah Bruce's drama about family and forgiveness after one of their own is released from prison.

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Critic Reviews (10)

BroadwayWorld
April 26th, 2023

"This play proves to be a strong piece which leaves us wondering what we really know about our friends and neighbours."
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The Telegraph (UK)
April 26th, 2023

"This is a well-researched and well-played piece of work, developed pre-pandemic but rendered bleakly topical by the revelations about what went on during lockdown in too many homes."
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London Theatre
April 26th, 2023

“There’s nothing genteel or polite about a play that parades its pain for all to see, and you leave the auditorium aware that the world outside may be dangerous but that often the greatest damage begins at home.”
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Lost in Theatreland (UK)
May 15th, 2023

As with Downstate and All of Us, the Dorfman stage has yet again hosted a sumptuously emotional production of a hard-hitting, naturalistic drama that showcases important and under-reported stories with dramatic flair, humour and heart. Dixon and Daughters presents a powerful message about stamping out abuse, and the many repercussions of living in a world where men have the power to control women’s lives, shining a light on those affected with tenderness, thought and humanity. Even if this is a form of theatre we’ve seen many times, the craft on display here is exceptional, with an exemplary blend of politics and artistry. A highly recommended watch.
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The London Evening Standard
April 26th, 2023

“There’s lots to admire and enjoy here, but the too-neat ending, along some of the comic and dramatic flashpoints along the way, feels unearned.”
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WhatsOnStage
April 27th, 2023

"The honesty of both writing and performances shines through, making the play an involving examination of exactly why women continue to suffer in silence, in homes where they should feel safe."
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The Times (UK)
April 26th, 2023

"The director Róisín McBrinn struggles to establish a consistent tone, and the use of sinister noise effects seems to be trying to compensate for the lack of genuine dramatic tension."
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The Guardian (UK)
April 27th, 2023

"The characters are no longer comical and stereotypical but flesh and blood women, doing all they can to survive."
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