Director Anna Himali-Howard provides a deliberately knowing production. The reach and ambition of its thinking means that the play has some structural difficulties ... But the intelligence and challenge of the writing ... is ... a breath of fresh air.
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Characters lack roundedness ... but Lee-Jones pulls it off with an overarching originality. Her script holds us with its humour, multiple voices and uneasy moments.
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Back and forth we go across the centuries, Lee-Jones entertainingly populating the stage with her creations, often with great comic impact, though there is an intriguing steel behind her smile at key points.
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As ‘seven methods of killing kylie jenner’ proved, [Jasmine Lee-Jones] is a phenomenal writer. Monologues flow naturally off the tongue ... The supporting roles initially feel a little more stereotypical than the lead ... but become more nuanced as the plot develops.
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