“The writing of ’Compositor E’ is, at times, sublime, and the blending of poetry and drama is to be highly commended in a production that grapples with what it means to convey meaning through literature.”
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“Charlie Dupré’s Bruntwood prize longlisted play asks thoughtful questions about who gets to shape history, but lacks a level of intrigue and emotional depth to address them fully”
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“The story gets bogged down in workplace politics in a couple of protracted scenes, and John’s final monologue is a ramble of jargon that overcomplicates what could be powerful musing on the significance of words and language. Still, Dupré’s play raises interesting questions about how many fingerprints are really left behind on the plays we know and admire today.”
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“Tonally the piece was inconsistent, it felt, both with language and character development decisions. The script could do with some tightening too...With six cast members and decent technical elements, plus a fantastic and initially engaging plot, ‘Compositor E’ feels like a bit of a missed opportunity.”
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“ ‘Compositor E’ offers an insightful reflection on the empowerment these plays can offer us all, and a satisfying call to arms, framed in Jaggard’s repeated instruction to take them in with the eyes but then act on them with the hands.”
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