This may not be a play for the squeamish in our trigger-happy times, but it remains about as smart as they come.
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It’s a solid production from director Oliver Kaderbhai, of a play that stands up well enough. Could it ever become a smash hit again?...What was once a vicious rebuke of white privilege is now a nostalgic reminder of a happier time.
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This exquisitely discomfiting riff on race and property by US writer Bruce Norris won the Evening Standard Best Play Award in 2010 and Oliver Kaderbhai’s punchy revival proves it’s become more, not less, relevant since then.
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The problem is that Norris has given us types rather than fully rounded characters. It’s to the enormous credit of the actors that they almost make us care about them.
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...it sets up a deeply moving and complex drama in its first part that feels as if it is leading to an explosive second, yet does not quite deliver emotional or intellectual depth...The cast, however, is little short of magnificent, and the actors bring every last offensive joke, inanity and quieter moment alive.
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In two taut, vividly rendered scenes separated by 50 years but set in the same Chicago home, Bruce Norris’ Pulitzer-winning play Clybourne Park examines themes of gentrification and embedded inequality with biting humour and forensic clarity.
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Oliver Kaderbhai's production fizzes with energy and features a top-notch ensemble...And although at times the production perhaps strains a little too hard for laughs, it's entirely forgivable when the material is so rich.
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The play proposes no pat answers, no agenda, preferring to take us on a giddying tour of the flaws in our moral armour...This an excellent revival of a terrific, clever play, stylishly directed by Oliver Khaderbai.
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