80%
(15 Ratings)
Positive
87%
Mixed
7%
Negative
6%
Members say
Absorbing, Thought-provoking, Clever, Ambitious, Great acting

About the Show

The world premiere of Lauren Gunderson's drama about a grieving sister bringing her sibling back to life with AI.

Read more Show less

Critic Reviews (11)

BroadwayWorld
September 19th, 2023

“It is difficult to know if we should be alarmed by the fact that there is more sci than fi in ’anthropology’...Crisp and white and without the comfort of props or furniture, it evokes the futuristic, and slightly eerie, ambiance of a mid-noughties Apple advert. There is nowhere to hide but the cast skilfully fill the icy space with cosy warmth.”
Read more

The Guardian (UK)
September 19th, 2023

"No chatbot could surely ever write anything as original and compelling as a play that makes a powerful case for human writing intelligence."
Read more

The London Evening Standard
September 19th, 2023

“I really don’t mean to sound too snarky myself because if you can get over the required leaps in credibility – and there’s a huge one around the 60-minute mark – this is an enjoyable evening. Anthropology engages with our tech-mediated lives and with speculative futures in a way theatre rarely does.”
Read more

The Stage (UK)
September 20th, 2023

"Somewhere deep in the source code of the play are ideas that could come to life with more imagination and a lot less dialogue. But if you’re going to write a play about the dangers of AI, you’d better make damn sure it doesn’t sound quite so algorithmic."
Read more

The Times (UK)
September 18th, 2023

"Gunderson’s dialogue shines with empathy and wit as she questions the distinctions between human and machine in the digital age...So you leave appreciating the talent that makes Gunderson so in-demand without quite feeling this fizzingly intelligent play makes good on its potential."
Read more

The Telegraph (UK)
September 19th, 2023

"Anna Ledwich’s production has chilly, sinister touches... It all contributes to an atmospheric and philosophically resonant piece, showing how technology is, ultimately, driven by humanity; we can make it comforting or threatening, pure or biased, a diversion or an addiction. As for the plot, though? Does not compute."
Read more

The Arts Desk
September 20th, 2023

"The performers in this predominantly female production are uniformly engaging, with Buring holding the centre with a lightly fizzing intensity, and Dakota Blue Richards expertly allowing us to sense the flesh and blood DNA of this artificial construct."
Read more

Time Out London
September 19th, 2023

"The actors cast are all very capable – Buring is flustered and frustrated in exactly the right measures and Yolanda Kettle is very strong as Merril’s overwhelmed and totally flummoxed girlfriend. But the writing just isn’t up to scratch. Perhaps AI would have done a better job."
Read more