"Kate O’Flynn conjures its magic from beneath the ink. She effortlessly wields McDowall’s semi-poetic language like a syringe."
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" 'all of it' is a triumph in all areas – a drop-everything-and-go show."
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What should have been a clear winner with the pedigree of McDowall, Featherstone and O’Flynn unfortunately only highlights the already established quality of the final piece. This was a very disappointing wade through the muck, though O’Flynn is, undeniably, a force to be reckoned with. She deserves far more.
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“It feels like a modern classic, a monologue that could become a showpiece for O’Flynn or other brave performers. This may be all of it, but I want more.”
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"O’Flynn performs this series of snapshots of the inner life... at a snappy pace which suggests the speed of time passing. She is enthralling, funny, sad and moving."
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"This is theatre that works its way beneath your skin: unsettling, transfixing drama from a singular imagination."
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"...the overriding take away thought from 'all of it' as a whole, beyond seeing one of this country’s most exciting actresses at work, is that this is what a collaboration between Beckett and Bennett (Alan) might have looked like. Either way, it’s a tour de force, and she is astonishing."
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"Alistair McDowall’s plays are portals to the extraordinary, his trilogy of solo plays may be even more audacious – unfolding the experience of ordinary life from the inside. And these giddying texts are given astonishing life by Kate O’Flynn."
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