“Baker’s drama is not very good...Under Bank’s sympathetic but listless direction, the show feels both overstuffed and undernourished...At a trim hour and a half the evening leaves little time for the characters to be fleshed out or the actors to truly shine. And while the show brings up tantalizingly thorny issues of faith, hypocrisy, sacrifice, and selfishness, they are like dark clouds hovering above the story without ever breaking into a full-fledged dramatic storm.”
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“The audience's temptation is to project the moral standards of our post-‘Footloose’ world onto Scott...But I'm willing to accept that we're supposed to sit a little longer with the question that Baker poses in her dialogue...Unfortunately, not much of that intellectual or emotional tension remains inside ‘The Price of Thomas Scott’ itself...By the end of this moral back-and-forth, I couldn't help but wish that Hartley had just gone full Kevin Bacon and settled it all on the dance floor."
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"The finely-acted production is attractively designed for its Edwardian period by Vicki R. Davis and Hunter Kaczorowski, and though the two-act play has been trimmed to an intermission-less ninety minutes, The Mint's traditional style of presenting older works in their original context, barring contemporary interpretations, remains true, making 'The Price of Thomas Scott' a very engaging introduction to a rarely-heard theatrical voice."
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"A fascinating curio from another time, its revival here yet another feather in the Mint Theater Company's multi-feathered cap...The marvelous actor Donald Corren has wisely decided to play Thomas Scott not as a sour, dyspeptic prig...Corren is far too skillful and intelligent an actor to have fallen into that trap...The only significant flaw in this play: The narrative suffers from the fact that the action is entirely confined to the back parlour of Thomas Scott's shop."
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“Relatively subdued in terms of dramatic action, ‘The Price of Thomas Scott’ is a thoughtful, neatly crafted study in personal convictions that is reminiscent of John Galsworthy’s works. Serious students of drama will especially appreciate this quiet yet interesting play...Bank, the Mint’s producing artistic director, gives the drama a well-paced staging that is solidly performed by an eleven-member company.”
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“By paring the script down to the under two-hour single act format favored by today's audiences, the questions Ms. Baker posed—but intentionally left without a conclusive ending— are likely to kick up questions relevant to the ethical dilemmas faced by these characters' present day counterparts...While the actors all fit their parts well, the men fare best, especially Donald Corren as the titular main character and Mitch Greenberg as Wicksteed.”
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“When is a man completely out of step with his own time and standing in the way of progress? If the Courtneys do not buy his shop they will buy another one down the road, so that he is not keeping them out of the community. It will also make it more difficult for him to sell in the future. It is difficult for a modern audience to side with or care about Thomas Scott, considering when one sees the harm it will do his worried wife and the careers of his children.”
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"It's not a great play, especially compared to other works that the Mint has produced recently, which are often surprisingly relevant to the modern day. This one feels more of its time...Conversations about morality are not exactly the stuff of riveting drama. That said, dance numbers choreographed by Tracy Bearsley liven things up and the production values are high, as one can always expect from the Mint."
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