"The production, largely well acted and vividly staged, opens with a thunderclap, an apt harbinger of the stormy tale to unfold. Mr. Nunn has played fast and loose with the text...This is an action-driven yarn — the equivalent in the Shakespeare canon of a popcorn picture — and Mr. Nunn’s careful editing improves the tale’s sometimes haphazard momentum...Given the mildly disappointing performances in some key roles, I found myself, as always, entranced by the final scenes."
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"Trevor Nunn's ravishing production of 'Pericles' may well be the best account of Shakespeare’s bad romance that you will ever have a chance to see...It is a testament to Nunn’s directorial mastery that he is able to fashion a coherent, often beautiful pageant from such weird materials...Against all odds, the play is finally quite moving; the famed 'recognition scene' between Pericles and his daughter, Marina, brought tears to my eyes."
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"Nunn has thrown everything he knows how to do, circa 1975, at the text...This all looks and sounds grand, but a variety-show aroma seems to cling to the proceedings...Something has to be done with the weaker material in 'Pericles' in order to make way for the stronger, and it might as well be cheesy. The good news is that Nunn has cast actors who can serve the cheese but also the verse, so the beauty pops as much as the humor."
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"This is one overstuffed play, one that Shakespeare apparently didn’t write alone. The notion of multiple authors may account for the chockablock story and schizophrenic tone. The drama is all over the map...There’s so much going on that Gower, the narrator, makes an even bigger impression than the hero. Trevor Nunn, the veteran British director, has added music to make the three-hour work feel dynamic. To counteract the story bloat, his production is sleek and spare — less can be more."
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"Taking his cue from the text, Nunn infuses the picaresque proceedings with generous amounts of song and dance, making an already long evening feel even longer...For all the furious activity onstage, the overall effect is curiously lifeless, due to both the diffuseness and unevenness of the material...Nunn is mightily straining for poeticism, when a light-hearted, winking approach might have produced more felicitous results."
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"It was exciting to see what legendary director Trevor Nunn would do with 'Pericles,' but his production for Theater for a New Audience is just as scattered as the play. This is especially true of the acting, which is all over the map. Christian Camargo is broodingly soulful as Pericles but some of his co-stars are embarrassingly awful."
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"Nunn’s 'Pericles' is an unusually lavish affair, with a 22-person cast, live music and rich, exotic-looking costumes. Alas, 'Pericles' is not worthy of such large-scale production values. The three-hour show, though visually sleek and persuasively acted, comes off as bloated and tiresome, and Nunn’s edits to the text do not add much clarity."
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"Nunn probably could have cut a chunk of text without affecting the overall arc. But his physical production is rollicking…At times, though, the acting is more of a mixed bag. Few American actors speak the language of Shakespeare with as much finesse as Camargo does, and he is a mightily appealing Pericles…Lily Englert is oddly disconnected from her role...For completists, this is the chance to scratch another one off the list. And this production is a particularly handsome way to do so."
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