"Grappling with midlife 'conscious uncoupling' promises to unleash all sorts of demons in 'My Brilliant Divorce.' That no monsters end up appearing in this potentially hilarious vehicle for a woman of a certain age has everything to do with Melissa Gilbert’s miscasting...Gilbert comes off as a sweet shiksa milquetoast, knocked flat by the sudden turn of events but without a proportionate sense of rage; she is delightfully engaging, but has none of the conspiratorial vengeance one craves."
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"Aron exploits much of her heroine's misery for laughs...The show's stereotypes and caricatures are even more discomfiting...A generally buoyant performance. Gilbert's ease onstage gets her laughs out of decrepit jokes...She relies more on charisma than range...Changes from one character to another are usually signaled through her voice, not her body. While she does credible accents, the overall effect is closer to new characters appearing in an audiobook than on a stage."
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"A scrapbook of scenes you've witnessed many times before...So much of 'My Brilliant Divorce' plays like an extended comedy routine that when Aron tries to introduce more serious moments, they feel out of place...Melissa Gilbert isn't really the kind of New York wisecracker specified in the script, but she is pleasant company and has certain strengths, including a genuine sense of vulnerability...The mildly diverting script should be much cleverer to justify this trip over familiar terrain."
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"The enchanting Melissa Gilbert’s hilarious and touching performance as a newly single woman is showcased in 'My Brilliant Divorce,' a sparkling solo play...Recalls the spirit and achievements of Neil Simon at the height of his powers...Sharp humor, precise details and focused structure...Melissa Gilbert’s brilliance combined with Geraldine Aron’s delightful writing and the exceptional production all make 'My Brilliant Divorce' an upbeat entertainment of substance."
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