“D’Amico never overplays David to the point of caricature, despite the difficulty of relaying the character’s illness…Caroline Aimetti’s charming radiance adds both humor and depth. This complicated interplay between palpable, human characters is what makes Hogan’s story such a success…Hogan’s play is a rare and crucial exploration of both the effects of Alzheimer’s and the complexity of humanity, a work that is certainly not to be missed.”
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"Appealing for its first 15 minutes, 'Mourning the Living' rapidly devolves into tedium and preposterousness...Ms. Hogan’s dialogue is well crafted and the structure is stage-worthy, but it all comes across as a playwriting exercise rather than a full-fledged dramatic work...Director Alan Souza’s physical staging is quite adept...Mr. Souza’s work with the cast is less successful. The main characters are played by actors that seem too young for their roles."
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"A brave and fierce look about a caregiver...The cast is all excellent...Director Alan Souza is also the director and teaching artist for the Broadway Dreams Foundation, so it makes sense that he would have a feeling for this play. He allows the humanity to rise with a tender touch...Ms. Hogan’s dialogue flows with heart, soul and an intelligence that seems much older and wiser."
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“Though some threads of its story could use more development, Mickele Hogan’s trim, well-constructed dramedy manages to steer clear of disease-of-the-week movie clichés in favor of a more ambiguous, believable examination of the effects of early onset Alzheimer’s…Hogan’s dialogue has an agreeable flow to it, and there are welcome touches of humor that keep the evening from becoming lugubrious. Her writing is well served by a lively cast.”
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"A gripping, first full-length play about a compelling subject...Mickele Hogan, the very young playwright, demonstrates a deep understanding of the conflicting, complex emotions of everyone involved...The play was very well acted and very moving thanks to subtle performances by all under Alan Souza’s sensitive direction. The closing scene was especially devastating...I recommend this play highly. You’ll be hearing about this play and the playwright Mickele Hogan again quite soon."
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