"Leans too heavily on the supposedly funny elements...But in the great confrontations between Angelo and Isabella, this 'Measure for Measure' soars just as it should into that uniquely Shakespearean plane where absolutely opposing philosophies are given equally compelling expression...There is probably no cure for the play’s tonal whiplash...What makes sense in 'Measure for Measure' makes gorgeous sense here, thanks especially to Ms. Ricketts and Mr. Ryan."
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"This is dark stuff, but Godwin keeps the proceedings playful...Cake navigates the play’s rough waters heartily. The fiery Ricketts makes Isabella’s anguish soulfully real. And Ryan crafts a cunning portrait of a despot coldly certain of his infallibility. Watching the once-mighty Angelo reduced to a quivering mass is as harrowing as it is satisfying. In an age of outrage, this revelatory 'Measure for Measure' is a cry for hope and reconciliation. "
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"It’s indicative of how hard it can be to find the right tone for this play, which pogo-sticks from lowbrow gags for the groundlings to highbrow verbal duels for the cognoscenti...What pleasures there are in this production emerge from the excellent verbal thrusts and parries between Angelo and Isabella that ensue in Ryan’s and Ricketts’ assured, low-temperature performances. But this is still that play in which everyone ends up married and nobody wins."
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"The play feels fresh, timely, and full of contemporary relevance...The story is pretty heavy for a comedy...Simon and his cast, however, keep things light every chance they get. Most of the laughs come from the minor characters...The comedic highlight of the show is Fine, whose outlandish portrayals of four different characters have the audience in stitches...Along with the modern dress, the band's upbeat rock numbers make the action feel current and familiar."
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"There were moments when I wished Godwin had given less attention to such scene-stealing antics and focused more on the complex psychology of the three lead characters...The second half of Godwin's production is stronger than the first, and everything unquestionably comes together in the climax...At long last, a production that seemed merely trendy reveals how directly it speaks to the present moment."
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“The minimal sets by Paul Wills allow for quick transitions between scenes but offer only a stark sort of atmosphere. His costumes are more successful but only for the comic characters. Matthew Richards' lighting plot has some film noirish effects. While Godwin's ‘Measure for Measure’ is tricked out with a great many unsuccessful contemporary touches, it is left to Shakespeare's story to bring home the dangers of abuse of power and hewing to the letter of the law rather than the spirit.”
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“Simon Godwin stages ‘Measure for Measure’ in modern dress with fresh bite and emotional immediacy. With a top-notch cast led by Jonathan Cake as the Duke, Godwin brings to light the rich theatrical treasures tucked within this dark play…Although you might disagree with some of his approaches to the dramatic material, his provocative vision of the tragi-comedy will imprint itself on your memory…The cast is superb."
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"A compelling new production...An insightful look at the timelessness of societal conflicts over justice, power, morality and family...While the tidy, but unlikely, resolutions at play’s end are even more implausible than many of the Bard’s other 'problem plays' the message and lesson are louder and more impactful...It isn’t often that one of Shakespeare’s lesser-known plays gets a major production, so on that basis alone this 'Measure for Measure' is a treat."
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