“More of an argument than a play, and the characters are not much more than mouthpieces for theories that have been more persuasively argued elsewhere. Therefore, the evening makes for, as Shakespeare might state, a very long ‘two hours traffic of our stage.’ This is a pity since there is some fine writing, and there are notable passages that nicely convey Elizabethan inflections and syntax.”
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"Hodges is a more accomplished playwright and literary researcher than director, allowing a great many different English accents to be used. Not only is the acting quite broad, it is also superficial and surface. All of the actors double with second appearances as other characters often following in the very next scene which is quite confusing, though most of the actors are not adept at playing two roles differently."
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“A nifty, literate mystery...The best scene is the battle of wits between Shakespeare and Marlowe, staged as a mock puppet wrestling match...Although the play ends on a dreary note, its illumination of the lives of the characters—each actor portraying multiple figures—keeps the audience on its toes and constantly surprised. Hodges’s easygoing direction and the talent of this five-member cast keep the stylized dialogue zipping along with intensity and humor.”
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“Whether you find this story plausible or not, it works very well within the world of the play...Somewhat reminiscent of ‘Shakespeare in Love’...This isn’t a casual comedy. You’ve got to pay attention. It’s theatre that forces you to listen and think...A mid-show puppet boxing match...Ridiculous as it sounds, it somehow works - and works beautifully...The actors are wonderfully versatile...An intriguing, surprisingly enjoyable exploration.”
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“There is much confusion with the cast playing two and three roles...There was too much confusion what with Jethro Tull music playing in-between acts and the Punch and Judy show with puppets...I was lost in translation as to why much of this play was happening. Also a lot of the acting by the men seemed to border on yelling instead of layering...In need of an anchor and better direction by the playwright. Sometimes you need another eye to stage your work.”
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"A delightful new play...Directed with great skill...Hodges tells a neatly concocted tale of escape, life in hiding and the biggest hoax in world history. He gets wonderful performances from a truly lovable cast. They almost convince you that Marlowe actually did it...It’s hard to believe, though...If Marlowe wrote all those plays and became so famous, why did he never step forward out of hiding to accept the applause?"
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