"'Marie and Bruce'...is considerably more perverse than most stories...Marie wants attention...The highly performative display of loathing creates a weird frisson of erotic challenge. The leads’ acting is not traditionally polished, but the scene has a punk energy...Then the tone abruptly changes...The other guests are played by a quintet of alt-comedians, but oddly their exchanges have little zip and are flatly staged...This may be one of the most depressing visions of coupledom ever put to stage."
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“An unsettling study in the language of intimacy...The gap between Marie and Bruce is heightened, or at least altered, by the fact that Hammel is trans, creating a world where a cis guy just keeps ignoring everything a trans woman says...Hammel and Landenberger devour their roles, and their design concepts add elegance and gloom...A grueling experience for artists and audiences alike.”
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