"A kind of poor man’s 'Waiting for Godot,' Horovitz’s one-act is basically an extended comedy sketch about five schlemiels conniving and conspiring to get to the front of the line despite never ascertaining what they're waiting for... The script may still have a point to make but this overextended production muddies any comic message with amateurish acting that places inadvertant emphasis on a misogynist subplot."
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"If you're looking for a lesson on theatrical durability to be learned from Line, which has been at the same downtown theater for 40 years and reigns as New York City's longest-running play, that's one of the big ones. The length of the show's run speaks for itself, and it's been translated into more than 35 languages and performed around the world."
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