"What you’ll get is a play that might not make much sense, but can still thrill...Even when the stakes should feel low (this is just a role-play, right?), most moments seem balanced on the edge of a very sharp knife...It’s exciting, too, to watch women take on the kinds of roles and wield the varieties of expertise that have mostly been accorded to men...As the tension rises, the logic tends to tumble...But 'Intelligence' has a velvet-glove grip that’s neatly unrelenting."
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"While the play is built to feel like a pressure cooker, Banner has left the lid open...Banner never lets her characters speak in specifics, and generalizations have a way of making time stretch. There’s trouble, too, in whom she’s chosen to focus on...despite a lot of very tense talking, the play keeps surrendering its sense of urgency...Chayes does crisp, sometimes quite funny work with the physical staging, and the three actors thrum with intensity."
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“Banner, has plenty of the title quality and she certainly knows how to pen a crackling scene or two, but she has constructed one of the murkiest plots, a concoction that is, alternately, too reticent and too fanciful to be taken at face value...Just when it looks like ‘Intelligence’ is going to come off as a twisty, engaging psychological thriller, it trails off into anticlimax...’Intelligence’ is, nevertheless, easy to take, thanks to Chayes' tense direction and the performances."
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"Generic title aside, Helen Banner's 'Intelligence' is excellently written, intense, and thought-provoking. Its characters' high-stakes struggle for power and control, both politically and personally, is compelling to watch."
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“'Intelligence’ is messy...It is an unusual play...Dialogue will sound natural in one moment, and like a thesis statement the next...Structural chaos is deliberately destabilizing...Some elements of the script prove iffy...When the mess takes over, though. In knocking three smart, uncertain, complicated women against each...Banner concocts a wonderfully satisfying theatrical space...Unashamedly political, intellectual and female. Most exciting of all, it is unpredictable.”
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"The play's critical swipes at the Foreign Service's inhumanity and the current administration's diplomatic cutbacks are dissipated by its lack of specificity regarding the background situation to which it alludes...Banner's dialogue, couched in a semblance of Foreign Service-speak, is delivered at an intense clip that, along with the shifting interactions of the participants, creates an ambiguity that blurs the drama...Each actress brings conviction, strength, and intelligence to her role."
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