"In addition to mood, noir is famous for labyrinthine plots, but the one here is just muddled...Chua is less interested in historical facts than in genre tropes...Alas, he did not stop at thriller and also went for melodrama, romance, spy mystery, political yarn and supernatural fable...A lot happens over the course of two hours, including a plot development reminiscent of 'Raiders of the Lost Ark,' but with a Buddhist artifact. Yet what dominate are lengthy exposition and stilted dialogue."
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"The piece has the potential to use the lessons of the past to illuminate the present — an objective never fully realized in this half-hearted attempt at noir...Knockoff Nancy Drew meets Indiana Jones: a suspense-free murder mystery that transforms into an inexplicable treasure hunt. To his credit, director Schwab faithfully stages the misguided script...A combination of wooden acting and an aimless script make 'Incident at Hidden Temple' an unmemorable night at the theater."
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"A better title for ‘Incident at Hidden Temple’ might be ‘Nancy Drew Goes to War-Torn China’…Throughout, Ava is presented as being both clueless and insanely accomplished; she is as muddled as the play that contains her…Even the lowest-budget B melodrama was better constructed than this...Under the circumstances, it's difficult to know what actors could do, so it probably signifies very little that the entire company gives such wooden performances.”
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"'Incident at Hidden Temple' is suggestive of many different ideas pertaining to allegiance, cooperation and strategy, but unfortunately the obscure and fictional story lines are worn thin and far too overstretched by the play's final curtain. Whether an indication of a flawed script beyond repair, or a lack of thoughtful direction by director Kaipo Schwab, many performances are over embellished, exaggerated, and hardly resemblant to any sympathetic or even likable characters."
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“Wartime drama in ‘Incident at Hidden Temple’ is as compelling as it gets. As the landscape shifts from a village fable to a convincing military drama, director Kaipo Schwab skillfully coordinates interrogation of a larger truth…The play, filled with memorable characters, is something of a winding path constructed by playwright Damon Chua...Ava is portrayed adeptly by the Ying Ying Li.”
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“An evocative reminder of a pivotal piece of World War II history…Act One does a good job in setting up the multiple conflicts and questions. While Act Two has resonant moments, it isn’t as strong, relying on some unlikely coincidences and encounters. Ultimately, though the story's questions are answered (except the biggest one, which the playwright leaves to the audience), there’s almost too much to bring together smoothly. The staging and the acting overall are excellent.”
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"Chua...focuses only intermittently on the complex military-historical issues...Instead, he diffuses his treatment by introducing various melodramatic mysteries...An air of superficiality hovers not only over the writing but over the entire, stilted production...Director Kaipo Schwab's pacing for the two-hour play is uneven and his staging awkward, beginning with the thoroughly unconvincing stabbing that begins the play...As for the acting, let's just say better luck next time."
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"All the technical elements are well done. The play by Damon Chua keeps your interest, though it could use some cutting. The direction by Kaipo Schwab is serviceable and gets the points across, but how could he have not heard the timber of the actors voices?...Ms. Ma, Mr. Dolan and Mr. Liu far much better than the rest of this cast, who seriously need acting lessons."
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