"Even by the yardstick of deep or edgy psychodrama, 'Holiday House: Christmas Bends,' is bafflingly incoherent. Weller's astonishing physical beauty and dancer's physique impresses one from the moment she rises from the ground...It's immediately clear that Weller has talent for miles. Still, precious little in this play makes sense...It simply does not work as a piece of storytelling."
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"What’s with the warm holiday experience followed by a creepy, eerie one? I’m not exactly sure. But if you’re an adventurous theatregoer, 'Holiday House' intrigues. Weller’s performance is spine-chilling and riveting...You’ll be glad you treated yourself to something completely different and unique, just as long as you know what you’re getting yourself into. The show will initially heighten your holiday cheer and then cleverly disrupt it. This ain’t no Frank Capra Christmas."
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"An unexpected, harrowing theatrical experience, and there is no hyperbole in calling it here an experience. It is rare that one feels so fully immersed in a dramatic work...Weller tricks the audience into following her through a spellbinding performance that begins full of whimsicality and gradually drifts into corridors quivering with madhouse echoes...'Holiday House' is, at times, flawed in its sheer freneticism, but all of the elements culminate in a highly memorable play."
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"The play is avant-garde and strange; disjointed but oddly coherent...While the plot of the show and the meaning behind the dialogue is vague, the setting and the tone are irrefutable...The play is an immensely watchable performance mostly due to the infallible Tracy Weller whose mastering of the numerous characters is nothing short of absolutely astounding...Anyone who adores experimental, imaginative, and deeply thought-provoking theater should absolutely experience it."
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