"Although some of Vonnegut's surreal 1970 satire is amusingly dated, there are moments so eerily prescient that you're jolted back to the present...Director Jeff Wise helps his crackerjack cast navigate a tricky tonal tightrope between broad shtick and heartbreaking insight...Even when his absurdist storytelling gets muddled, Vonnegut’s message resounds like the wake-up call of a bugle...The piece is ultimately an indictment of all men who embrace sexism, racism and violence."
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"For anyone willing to look, Wheelhouse and director Jeffrey Wise have staged a marvelous abyss...The growling, slobbering, center of the play is O'Connell, who gives one of the most uninhibited performances I've ever witnessed...All of the actors come together in impressive harmony for the show's flash musical numbers...Wise directs Vonnegut's dark comedy with vaudevillian panache."
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“As directed by Wise, it’s loud and confrontational...but it’s no more than that. Just letting a tyrannical hollow man storm around isn’t enough. It’s less than enough. It’s alienating. Making matters worse, the activities handed the other characters have no helpful afflatus. What must be said, however, is that neither Wise nor the actors should share blame for the two-act, two-hour tedium. They’re trying hard...That onus goes to author Vonnegut. He’s solely responsible for this laughless wonder.”
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"A simple, straightforward style and biting satirical content...What O’Connell manages to do, along with director Wise, is to erase the outdatedness that’s hard to ignore in Vonnegut’s work. O’Connell is a dose of mania, popping in and out of characters and caricatures that are both amusing and infuse the scene with greater nuance...A delightful, wonderfully acted and directed performance that delivers a meaningful message but without hammering the audience over the head."
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“Written by novelist and short story writer Kurt Vonnegut Jr. in the 70’s, this play is even more relevant today...The entire cast delivers captivating performances, but Jason O’Connell as Harold Ryan is not to be missed. This man is so mesmerizing that you cannot take your eyes off him...Wise makes intelligent choices and really allows Vonnegut’s words and ideas to shine through. Not always easy in an absurdist play.”
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“Thoroughly zany in style and performance under the direction of Wise, but it all makes sense thematically in its inherent attack on war, man’s proclivity for killing, inflated heroics and human behavior...The author’s lines add up to a steady beat of stripping away pretension, undermining phony wartime heroism, and mocking machismo...It would be shortsighted to expect a totally logical pot. The acting fits into the concept and mad tone, with excellent cast members.”
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"Masculinity gone haywire could be the basis for a pointed satire but the thing about a successful satire is...it’s funny. ‘Wanda June’ mostly isn’t. Mostly it feels as if it’s playing to the cheap seats. It might have had more salience in 1970...Today that kind of material feels as hoary as the mother-in-law jokes the Vegas comics were doing...Satire that amounts to telling the audience what it already believes...isn’t cutting. It’s just flattery.”
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"The glorious production is everything a work by Vonnegut should be: surreal, unpredictable, laugh-out-loud hysterical, extraordinarily intelligent, bold, daring, and challenging...Director Jeffrey Wise has a firm grasp of the material, in total control of the chaos...It’s pure Vonnegut: a potent look at America — and how much it hasn’t changed in nearly fifty years...An all-around triumph, one of the best plays of the season, and a sharp reminder of Vonnegut’s immense legacy."
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