"Arcadia runs three hours but never overstays its welcome. Stoppard and Bedlam repay the audience’s investment of patience and attention with ample dividends: a profound exploration of the human condition augmented with playful comedy, poignant romance and bitter irony."
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"If this is an imperfect production of a nearly perfect play, it nevertheless strikes plenty of intellectual sparks. If you've never seen Arcadia, you can be captivated by its extraordinary double-helix construction and dazzling ideas. If you're familiar with it, it's a repeat visit that will only yield new insights. The Stoppardian Mind is always an exhilarating place to visit."
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"Arcadia is an acrobatic blend of elements, some graspable and at least one teasingly elusive."
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"After two world premieres, Bedlam has returned to what the company does best: new takes on classic plays. Director Eric Tucker’s revival of Tom Stoppard’s 'Arcadia' is a mixed blessing, getting some things right and some things wrong. The first problem is that although the domed performance space at The West End Theatre makes a lovely venue for a play set first in 1809 and then in the present the sound is difficult to understand because of the architecture. This is a mistake in a play where the words are so important."
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"I had one of those tingly New York theater experiences...you walk into an unprepossessing theater space, off the beaten path, not sure what to expect, and witness some astonishing theater. In their production of Tom Stoppard’s 'Arcadia', Bedlam Theater Company proves yet again that it is not budget that makes great theater; it’s talent, creativity and boldness."
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“...some moments did feel rushed, like when Hannah Jarvis uncovers Thomasina’s mathematical work. It’s one of the most exciting revelations in the play and it should have landed more of an emotional wallop. Still, overall, this is a worthwhile production of an amazing play.”
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Arcadia is a tough enough nut to crack for the foremost actors and directors. Bedlam’s revival is an object lesson in what happens when those involved lack the artistic strength to squeeze the nutcracker all the way.
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The adventurous New York troupe Bedlam is reviving Tom Stoppard’s high comedy Arcadia in a production that brings the time-traveling, farcical action very close to the audience. As a result, aspects of the script, disdained by some as hyperintellectual and bloodless 30 years ago, seem more poignant and heartfelt than before. What’s eye-opening is that Stoppard’s gargantuan buffet is so satisfying when served as a cozy picnic.
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