America is Hard to See
Closed 1h 30m
America is Hard to See
90%
90%
(21 Ratings)
Positive
100%
Mixed
0%
Negative
0%
Members say
Thought-provoking, Absorbing, Ambitious, Intelligent, Profound

About the Show

Using a blend of interviews, archival research, Methodist hymns, and original songs, this new play investigates the lives in and around a rural community for sex offenders, buried deep in Florida's sugarcane fields.

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Critic Reviews (6)

The New York Times
February 2nd, 2018

"A smart and troubling new piece of documentary theater...Russ's script isn't always helped by his direction, which is sometimes less clear than it needs to be...Music and lyrics by Priscilla Holbrook that are often lovely but don’t always fit smoothly into the action...Arrives at an awkward time to ask for sympathy for these men...But this play, an investigation of transgression, redemption, and the limits of compassion, takes a hard, uncomfortable look at forgiveness."
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Theatermania
February 2nd, 2018

"While writer and director Travis Russ takes a sympathetic view of the play's subjects, he is not naive about the fact that we all construct myths to help us live with ourselves and the choices we have made...With lyrics drawn entirely from real interviews, Holbrook's original songs are honest and tuneful...Everyone in the cast either sings or plays an instrument, and their powerful performances electrify an already supercharged script."
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Exeunt Magazine
February 8th, 2018

"Life Jacket Theatre has proven itself to be a strong new practitioner in this genre…The play depicts those characters with empathy, but also honesty… And the show raises profound questions worth pondering…Cast members prove adept at switching between multiple roles…It’s not easy to craft a nuanced story about a population so routinely and swiftly demonized. But Life Jacket Theatre makes the case that such an exercise is not just possible, but necessary."
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Stage Left
February 20th, 2018

"A powerful and provocative evening of theatre that is deeply unsettling, surprisingly humane, and ultimately uplifting...Inspiring tough soul-searching and difficult questions for those willing to ask them...A weighty piece that reminds you of the powerful role theatre plays...It is uncomfortable...guaranteed to challenge your assumptions...You will emerge both changed and eager to continue the conversation. And that is the highest praise I can give any piece of theatre."
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Gay City News
February 2nd, 2018

"When you hear that there is a new play with music about an enclave of people on the sex offense registry, the tendency might be revulsion or demurral. If you can’t get past that initial reaction, you will missing out on one of the finest theatrical experiences of the season...The uniformly excellent ensemble is rounded out by Joyce Cohen who, like the rest of the cast, seamlessly takes on multiple roles in a story that by turns surprises, informs, and moves."
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The Gay & Lesbian Review
March 26th, 2018

"The plot has a way of entangling us into a world we would much rather keep at a safe distance, while simultaneously laying bare our perverse cultural appetite for the spectacle of criminality...Provides a complicated—and at times sympathetic—glimpse into the lives of one of the most loathed groups in America: registered sex offenders...The audience cannot walk away from this piece without feeling incredibly uncomfortable and morally compromised...Heartbreaking."
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