"Putting the word 'Masterpieces' in the title seems to set an impossibly high bar...And yet the Irish Repertory Theatre clears it (and then some) in this delightful excursion to Éire that packs more dramatic red meat into 75 minutes than most plays can achieve in much longer formats...The acting is central to these intensely human stories, and director Moore allows her cast to work their magic...You know what you're in for when you go to a show like this — and you really should go."
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"Under the incisive direction of Charlotte Moore and performed by a nimble cast, all three pieces -- two of which are real rarities -- are given the best possible hearing...'Three Small Irish Masterpieces' is a golden opportunity to catch the work of writers who, these days, are more famous than produced. In addition to being eminently stageworthy, they are living remnants of a literary movement that changed Irish culture forever."
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"In truth, only the much better known Synge offering, 'Riders to the Sea,' could rightly be called a masterpiece, though Lady Gregory's 'The Rising of the Moon' comes very close to earning this accolade as well. As for the equally obscure 'The Pot of Broth,' which Yeats wrote in collaboration with Lady Gregory, it's by far the lightest of the three works, both in tone and content. While it's entertaining enough...calling it a masterpiece is, at best, a tribute to good old-fashioned Irish hyperbole."
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"The ensemble acting is seamlessly executed here, with many performers taking on multiple roles and doubling as musicians. Nobody hogs the spotlight but a true ensemble effort...Nothing but kudos belongs to the creative team...You will feel that you have been transported to the Emerald Isle itself...All in all, this triple-decker is a golden theatrical experience...A journey into Ireland's literary past and you don't have to travel thousands of miles to experience it."
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"The only thing 'small' about the stunning production is the intimate stage upon which these one-act gems are lovingly played...A trifecta of brilliance portraying a slice of Irish life gone by...Even without social or historical context, each stands on its own as a work of outstanding merit and just darn good entertainment...The entire ensemble cast delivered the goods throughout with superb acting...Well paced and the transitions between them seamless."
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"All in all, these 'masterpieces' serve as a master class in the efforts of the Literary Resistance Playwrights...One caveat: with few exceptions, the production feels representational; that is, the characters stand for this or that and don’t easily break through to a realized, distinct identity...These one-acts feel like old friends on the one hand, and a tad stale on the other...Period drama — even written by these masters — seems to demand more indulgence than I could muster."
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"All three are 'folk plays,' so to speak, or 'genre pieces,' dealing with members of the Irish underclass whose lives may be bleak but are nonetheless redolent with vibrant verbal dexterity and spiritual resilience…While only one of these plays is a universally acknowledged masterpiece, they are all masterfully done. For that, lovers of Irish drama interested in seeing what it had to offer just as it was about to achieve international recognition will be deeply grateful."
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"These really are little Irish masterpieces, enacted by an excellent cast and crisply directed...'The Rising of the Moon'...Sheds light on issues of human relationships and moral principles. It is a very compelling piece...'Riders to the Sea'...One is emotionally pierced by Donnelly's outstanding performance...Moore directs with the utmost simplicity that brings out the essence of the writing without unnecessary flourishes. The result is an experience well worth the visit."
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