"This 'Winter’s Tale' works less well than some previous efforts. That is partly because of the play itself, a peculiar romance that asks you to suspend your disbelief...In Lee Sunday Evans’s bare-bones staging, there doesn’t seem to be enough time — or maybe enough directorial imagination — to register fully the abrupt changes in tone, from tragedy to farce to something more numinous."
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“Evans directs a tight ensemble of nine through the story of paranoia, distrust, and ultimate redemption...Scene transitions are smoothed over with lulling musical interludes...Evans follows up the play's first three acts of dour drama with refreshingly light comedic direction...Bargain basement meets refined Shakespeare, and it's that joyful combination that makes ‘The Winter's Tale’ not only something everyone can see, but something everyone should see.”
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“Evans directs a straightforward, modern-dress production of ‘The Winter's Tale’, played by a fine ensemble...Cunningham makes a powerful presence as King Leontes of Sicilia...Comical breaks in the serious drama are supplied by Grant and Grollman, who play a pair of shepherds...Also adding a bit of lightness is having Leontes and Hermione's son, Mamillius, represented by a charming puppet.”
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"When it comes to classical theater this holiday season, this 'Winter's Tale' may well be the best theater bargain in New York...Like all Mobile Unit productions, the most remarkable feature here is that it proves how little we need to put on a satisfying Shakespeare production...The outstanding performances of the entire cast make this 'Winter's Tale' something to brag about...Stripped of theatrical embellishments, the message of the play inevitably becomes clearer."
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“An intelligently abridged interpretation...Evans has skillfully focused her adaptation on the essentials of the narrative to tell this rich story in a short time without sacrificing its complexity...The cast is consistently strong, both as an ensemble and individually...Modernizing a great play can sometimes fall flat but there is no danger of that here. Shakespeare’s work is relevant, and made all the more approachable in this excellent production.”
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“Bare-bones and youthful production...Not Shakespeare’s best by any stretch but the Mobile Unit does a fine job of making it fresh and fun. They incorporate a couple of well-crafted puppets and some really good original music...The point of the Mobile Unit is to reach as much of underserved New York City as possible and make art and culture accessible to all. And with that lofty goal, they have succeeded.”
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“Audiences…will have no problem appreciating this thoroughly enjoyable, excellently spoken revival, from which numerous characters…have been excised with little damage…While the play introduces several thoughtful themes, its several illogicalities, exaggerations, and far-fetched developments require a particular lightness of touch…All this is accomplished far more successfully in this production than many more elaborate, star-studded productions.”
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"What’s always remarkable about the Mobil Unit’s result is how lively, how energetic it always is—and how often, how creative and how musical Shakespeare can be made. That’s to say excited commitment overrules any deficiencies in acting refinement or text shrinkage...Perhaps the best praise that can be accorded the Mobile Unit is: Each production—often presented before first-time Shakespeare audiences—wins over new Shakespeare fans."
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