"At 25, the show is looking a bit scuffed. But the action is clear — and, as ever, the lullaby Anne sings to Tom in the madhouse near the end rends the heart, a benediction over a troubled man and a troubled world."
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"The production ... puts Stravinsky’s (and Auden’s) modernism into visual form, using simplicity, clarity, and proportion to set the basic tableaux of the countryside, London, Tom’s apartment, and Bedlam. The touches of interwar British modern art and design color the stage with depth. This revival will always be welcome."
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