“Go see it—because not only is it extremely important to witness, it is completely and utterly entertaining, as great theater should be.”
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CRITIC'S PICK! "The show summons, with uncanny clarity, the vigorous chaos from which a provisional order gradually emerges...There is tension, of course, and apprehension and suspicion...But the clashes are often comic, and the pure energy of actors creating a world of people creating a world of their own is exhilarating...A work of absorbing theater, which uses the immediacy of that art to conjure the paradoxes and confusions of a world dealing with an unprecedented flux of uprooted lives."
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"Informed by their experiences from running a theatre at the camp, the two young playwrights have chronicled the desperate, hopeful stories of the camp’s residents in what is a thoroughly affecting piece of theatre. It’s West End theatre like you’ve never seen...Robertson and Murphy do well to avoid the play coming across as preachy, they let the audience feel by simply telling the story."
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"If you’re looking for effortless exposition or delicate characterization, this nearly three-hour immersive play won’t afford it. It’s not artful as a piece of drama; rather, it’s a deliberate cacophony of voices...The piece is impressive, and it has moments of virtuosity, especially in the music...But when the gorgeously openhearted gesture of making theater for refugees turns into a show for the wealthy about refugees, part of its moral beauty slips away."
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"In spite of exquisite design and a substantial production, the play itself is shaky...Despite extreme efforts at verisimilitude, a noble purpose, and a vitally important subject, the storytelling comes across as heavy-handed...substituting atmosphere for dramaturgy...It’s devastating to spend all this time in a room with these characters and in this place, and emerge knowing less than when we went in. Disillusion may be part of the point, but it also feels like a lost opportunity."
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"It's a stunning feat of design, but it's not the only aspect that makes this marvelously realized production...essential viewing...The work packs a powerful punch in the current political era...The play's writing sometimes lacks cohesion and feels manipulative, making it not always as artful as the production. But 'The Jungle' nonetheless registers with a throbbing authenticity only amplified by the superb performances of the large, multinational ensemble and the virtuosic immersive staging."
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"Anyone who is capable of a scintilla of human decency could not help but be moved by the human face this intense and powerfully immersive play puts on people fleeing oppression in their homelands...To be sure, the two-hour, 45-minute production has its excesses...The drama’s success in imbuing with personality those trapped in the camp...may be its most important achievement. No weak link exists in the 18-member ensemble, and some actors offer particularly vivid accounts."
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“An emotionally jarring production that has been transplanted from London's Young Vic...vibrates with truth through every flattering and unflattering circumstance surrounding a momentary epicenter of Europe's refugee crisis. Led by directors Stephen Daldry and Justin Martin, the piece is more an experience than a play, physically and psychologically rebuilding a slice of life to ultra-realistic effect in the middle of Dumbo, Brooklyn."
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