About the Show

Directors Austin Pendleton and Peter Bloch reteam to helm a chilling new version of Tennessee Williams’ masterwork at the Wild Project, ushering in the Halloween season.

From the show:

After two critically acclaimed runs in 2018 of "Wars of the Roses," directors Austin Pendleton and Peter Bloch reunite with actor Matt de Rogatis to take on the American classic, "The Glass Menagerie." In this disquieting production, the tormented Tom relives the story of his time in the Wingfield’s St. Louis apartment, circa 1939, as if he were remembering it through the lens of a spooky dream.

Dimly lit and surrealistic, the set itself will consist of props made of glass and the actors will live in a chilling, dreamlike world. Taking inspiration from *The Exorcist soundtrack, Sean Hagerty writes the score for this “Wes Craven meets Tennessee Williams” production. Allison Hohman designs the sound for the Wingfield house of horrors.

Critic Reviews (5)

"The Glass Menagerie Is Haunting, but Is It Also Spooky?: Matt de Rogatis stars in an off-off-Broadway revival of the Tennessee Williams classic."
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"Theatregoers looking for a stage thriller in the vein of 'Wait Until Dark,' 'The Pillowman,' or 'Killer Joe' surely will be disappointed. Audiences hoping to spend a few hours with a classic American drama, on the other hand, will find much to appreciate."
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"It is Ginger Grace as Amanda that is the crowning glory of this production. … Grace lives Amanda on the tiny Wild Project stage, making it seem large and teeming with life, although nothing really happens in 'The Glass Menagerie,' nothing that is except the dissolution of a family."
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"Presented as a 'chilling new take...[visualized] through the lens of a spooky dream,'...if you're the sort of person who'd like to engage in primal scream therapy while discussing your mother, then this production might evoke the sort of terror that occasionally keeps you awake at night."
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"The play is acted at a sloth's pace in a dimly lit…dully realistic way, with very little of the poetically magical qualities we expect from this play about emotional memory…The…production is so grounded in standard realism that the play seems more like William Inge than Tennessee Williams."
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Trailer

Creative team